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"I'm still digesting it, to be honest with you," Tesfaye says of his success."But the screams keep getting louder, dude."Tesfaye comes over to say hi, dressed in black Levi's and a Roots hoodie, his tsunami of hair piled high atop his head."Sorry, I'm sick," he says, as his handshake becomes a fist bump in midair. ")This scene would not have seemed possible in 2011, when the Weeknd appeared with a trio of cult-favorite mixtapes that established both his sonic template — drug-drenched, indie-rock-sampling, sex-dungeon R&B — and his mysterious, brooding persona.Since starting this promo tour a week ago, he's been to Las Vegas, Paris, Berlin and now London. A press-shy Ethiopian kid from Toronto who has given only a handful of interviews, he has cultivated a near-mythical image as a bed-hopping, pill-popping, chart-topping cipher."I was everything an R&B singer wasn't," he says. Early Weeknd songs were atmospheric and chilly, their thick narcotic haze sliced by his broken-glass falsetto.The lyrics were an addiction counselor's worst nightmare: pills, pain, shame, serotonin, danger."When people meet me, they say that I'm really kind — contrary to a lot of my music."When talking about his art and his career, Tesfaye is blessed with a towering self-confidence and has no hesitation about declaring his own greatness.

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Tesfaye, better known as breakout pop sensation the Weeknd, is at a rehearsal for , the BBC music show, about to soundcheck his smash hit "The Hills," a four-minute horror-movie booty call featuring more than a dozen f-bombs.He and his crew posted three songs on You Tube and started spamming their friends on Facebook, then watched the play counts slowly climb. " Toronto being a small town in some ways, the songs were heard by Drake's manager, Oliver El-Khatib, who posted them to the OVO blog, where they promptly blew up.